Back to the cushion
I say it with shyness as I am aware of the danger of spiritual pride...also for fear of failing, to be honest.
They say it's part of the process: accepting that sometimes life gets on the way, and we will fall short and skip a meditation.
However, I know how important it is to validate ourselves and celebrate life when it matches what we aspire for. Also, it's just true. I meditate everyday for 4 weeks (damn, did I just make it difficult to say?!)
The 36 weeks long Samatha meditation course is holding me accountable. My reporting teacher is an Assistant Professor of Islamic studies...and probably born as a Greek Orthodox. Our course teacher is an English professor of Buddhist studies. I went to a Dervish dance the other day and I met by chance another teacher of Samatha meditation: he said never happened to him before (being Samatha a niche small world) to randomly meet another practitioner.
For me it makes sense. The spider web has got connected points. Since I am getting more deliberate about the threads I am laying down and what I am perpetuating moving forward, my web has a pattern: I know which thread to step on, which ones to avoid (this metaphor is not mine, but is by from Danielle Lynn). Resonating people are stepping into my life.
Gerry is one of them, as we share a rare idea of photography, we practice Non Violent Communication and Buddhist meditation.
In his work Transpires Gerry has realized a way for people to have eye contact without facing eachother, by using mirrors, and recording all on camera. The result of those videos has been displayed in very large screens in an experiential room, so that the visitor feels completely immersed in the connective human experience (breathing, eye contact, micro facial movements..). Many visitors have reported that they felt seen there.
As we bring our cameras (and our teas!) to a place dear to me, Linh Son temple in Beulah, London... In today's photographic adventure, I get deeply inspired by Gerry's piece of work.
Deep seeing = deep listening
I have been sitting in the temple's garden many times to meditate surrounded by all those statues, which actually have scary faces and deep emotions.
Still, my mind has not retained a clear image of them. My attention was not clear. They were more like a background to my main experience, my main character. Today I decided to give them the most caring and generous quality we can offer to anyone: attention (as Simone Weil would say!)
So I stopped in front of each of them and I placed myself in a position so that my camera would meet (the beam of) their eyes. This created a magic experience. In fact in seeing, we are also seen. I mysteriously felt mutuality, and with some more years and NVC in my pocket, I wasn't troubled by the strongest emotions of some statues.... In fact, I was familiarising with them (meditation means getting familiar with...) perhaps wondering which need was behind their emotions:)
A statue not looking at me:
Same statue looking at me:
In this specific case the act of offering, feels directed towards me only in the second photo. Eyes direct intention. Even if they belong to a person made of stone!
The experiment is fascinating for me. It's relational.
I remember over 10 years ago I used rush in front of the statues. Timid... almost afraid anyone could see me paying them SO much attention. And now, I stop, I take an image. I don't even need much time to get "to know them". I enjoy the diversity of emotions they represent within me. I don't dismiss, I don't avoid.
In order to engage I do...
Positioning. (In martial art, in love, war, life... Photography... Where and What you stand for)
That's the important bit.
Framing it from below, from the position of the dragon..
Or from the position of a witness of a revelation, participating this man's dismay:
Once you can be met, it's easier to meet. Especially teachers. ...Life teaches.








